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"Well, what kind of a feller is he, anyway? Come, answer up.",

"Afraid, madam!",

This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation.,

"You were young, sir," said Lucy, "and you enjoyed all that you ate. There was a good deal that you ate when you were young that you would not eat now, and even now I doubt whether you would find the old relish in your prime piece of pickled beef."

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"I don't shoot quail any more," Billy answered. "I've got to know 'em too well, I guess. You see," in answer to the other boy's look of surprise, "when a feller gets to know what chummy, friendly little beggars they are, he don't feel like shootin' 'em.",

"Ha!" said Captain Acton. "He was at St Vincent.",

Billy grinned sheepishly. "We should'a killed 'em, I s'pose," he said, "but we took 'em down to the marsh an' turned 'em loose there. Maurice said that anythin' that had done the good work them weasels had, deserved life, an' I thought so too.",

So, then, as she sat at table she almost looked the same beautiful Lucy Acton who had left her house early one morning for[Pg 369] a walk in which she had met the hunchback Paul and read a letter he gave her. The old rich colour was indeed lacking; no charm of hat, no grace of coiffure, no elegance of costume could immediately qualify or dispel the languor of fatigue in the eyes, the delicate shadow pencilled by worry and an enormous mental strain under the eyes, and a general expression in movements of silence or repose, of anxiety, pain, and another quality which you might have seen was present without being able to give it a name.